![]() Marketed in the twentieth century as "Fry's Baskerville" or "Baskerville Old Face", a digitisation based on the more delicate larger sizes is included with some Microsoft software. The Fry Foundry of Bristol created a version, probably cut by their typefounder Isaac Moore. Īs Baskerville's typefaces were proprietary to him and sold to a French publisher after his death, some designs influenced by him were made by British punchcutters. Baskerville's typefaces remain very popular in book design and there are many modern revivals, which often add features such as bold type which did not exist in Baskerville's time. These changes created a greater consistency in size and form, influenced by the calligraphy Baskerville had learned and taught as a young man. The curved strokes are more circular in shape, and the characters became more regular. Ĭompared to earlier designs popular in Britain, Baskerville increased the contrast between thick and thin strokes, making the serifs sharper and more tapered, and shifted the axis of rounded letters to a more vertical position. Baskerville is classified as a transitional typeface, intended as a refinement of what are now called old-style typefaces of the period, especially those of his most eminent contemporary, William Caslon. Idsgn (a design blog).Baskerville is a serif typeface designed in the 1750s by John Baskerville (1706–1775) in Birmingham, England, and cut into metal by punchcutter John Handy. Baskerville has been around for a while and does not look like it is going anywhere anytime soon.īaskerville, J. Overall, this font seems to work all around due to it being used in multiple professional and casual scenarios. They are useful to put a different spin and perspective on the font being used. ![]() These principles basically alter the visual representation of every single font. Some of these principles include font weight, color and direction. It fits the style for professional documents and spec sheets, but also can be used in a fun magazine by adjusting the major principles. This font appeals to me because you can use it an almost any situation. The tightness of lettering is a common pattern that I see when typing in Baskerville. When saying this, I am talking about the default version of the font Baskerville. Also, something else that I noticed about this font is how the lettering is close together. The thickness of the lettering flows equally throughout every letter as you would see in any typical typeface. For example, the “a” in Baskerville has a rounded bowl on the left side of the letter. ![]() ![]() Baskerville also seems to be rounded smoothly which gives it more of a casual or relaxed vibe. This eliminates most of the empty space between the lettering due to the type being tightly packed. Another thing that I noticed is that the spacing between each of the letters is tight and close together. For example, the “B” in Baskerville has a wide thickness and seems very dense. The lettering is bulkier than other typefaces which makes it stand out more. One obvious different characteristic is the thickness of the lettering. Baskerville is similar to many fonts out there, but it does have a couple distinguishing characteristics that separates the font from the rest. Some other professional pieces that you could use the font Baskerville with are: promotional signs, advertisements and flyers.Įven though this font is very professional, when looking at it, I would describe it as a professional font with a fun spin on it. Some characters are widened and made more round and there is more of a contrast between the thick and thin strokes. ![]() According to, it is used “to add length and importance to a manuscript.” Basically, it helps to use the font because of the amount of space it takes up. Examples of this are spec sheets, news articles, magazines and websites. Baskerville worked on print technology and he worked to create a black ink color from boiling linseed oil ( ).įurthermore, this font seems to be used for many professional pieces. John Baskerville was a servant for a clergy who recognized his penmanship talents and helped support him to learn writing. The Baskerville font was designed in 1754 in Birmingham, England. This font seems basic, but when adjusting the weight, it seems to be more eye-catching to the viewer. The classification that the typeface, Baskerville, resides in is serif or more specifically transitional serif. This is because it seems like a typical font you would find in a news article. When first looking at the font, the first word that comes to my mind is simplistic. One typeface that stood out to me is Baskerville due to the creative value that it offers. ![]()
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